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More controversial was an ARRI IIC, the old, small 35mm camera favoured by Stanley Kubrick, who used one on all his films from A Clockwork Orange (1971) onwards. An Arriflex Lite, hired from Take 2 Films and running Kodak Expression 500 stock with a 'nice old Canon lens', was used for the main 35mm shoot, but mixed in with this is Super 8, Video8 and VHS-C.

The heightened, beautified look comes from diverse visual styles and different types of cameras and recording media. 'I like when something has been added to, beautified or heightened, although not in the Michael Bay over the top way.'Īs much as possible of Submarine was shot using natural light and where there had to be lighting, as in the school scenes, either existing fluorescents were replaced or switched off or other bulbs brought in.

SUBMARINE 2010 LINK WATCH MOVIE

'The only similarity with Dogme on Submarine was not using conventional movie lighting and relying on natural light,' Wilson explains. His own style, Wilson says, is not naturalistic or Dogme. 'When I got there I realised that it was what I wanted to do,' he says. The spur for Wilson in choosing filmmaking as a career came from a friend sending him a pamphlet for the London International Film School. On the face of it this makes sense, as Wilson is Scandinavian (he explains that his surname comes from a stray Scotsman who went to Norway in the 1850s), but he does not see much Nordic influence on his work. Another influence was the cinematography of Nestor Almendros, who photographed several Truffaut films, including The Man Who Loved Women (1977), and Pauline At The Beach (1983) for Rohmer, as well as Terrence Malick's Days Of Heaven (1978).įrom this Ayoade and Wilson decided to light as little of Submarine as possible, an intention which he says does have echoes of the Dogme school of Danish filmmaking. 'We watched a lot of films for reference, most of them coming from 1970s French cinema.' These included the character studies of Francois Truffaut and Eric Rohmer's comedies of manners. 'Richard had very clear ideas about many aspects of the visuals for the film,' comments Wilson. This sounds a quintessentially suburban English suburban scenario but Ayoade, who is best known as the super geek Moss in The IT Crowd, and Wilson took inspiration for the look from elsewhere.

It stars Considine and Sally Hawkins, with Craig Roberts as Oliver Tate, a 15-year old with two major aims – to lose his virginity and stop his parents splitting up. Submarine was adapted by Ayoade from the novel by poet Joe Dunthorne.

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